Sunday Stamps: A Taste of Lusophony

This week’s Sunday Stamps takes us to Portugal, the ancestral home of Fernão de Magalhães, or Ferdinand Magellan, who, ironically, was famously credited with circumnavigating the globe and discovering my home country, the Philippines, after switching his allegiance to Spain.

While Portugal might not be immediately recognized as a sporting powerhouse, the country has steadily made its mark on the Olympic stage. Known primarily for its prowess in athletics, Portugal has expanded its medal-winning repertoire to include canoeing and judo and more recently in surfing, skateboarding, and breaking. The Tokyo 2020 Olympics was a particularly triumphant moment, as Portugal secured its best-ever Olympic medal haul. And let’s not forget the global phenomenon that is Cristiano Ronaldo – proof that Portugal’s sporting prowess extends far beyond the Olympic stage.

My stamp features a mouthwatering no caldeiro a tempura – a fusion of Portuguese and Japanese cuisine. It’s part of the Sabores da Lusofonia (Taste of Lusophony) series celebrating the culinary diversity of the Lusophone world – a term encompassing the Portuguese speaking community, akin to Francophone or Hispanophone. Beyond the shared language, Lusophony is a tapestry of historical and cultural threads. Interestingly, over 300,000 Brazilians of Japanese descent, known as decassegui, speak Portuguese as their home language in Japan – a fascinating tidbit from the Wikipedia.


No caldeira a tempura, a crazy good mix of Portuguese and Japanese tastes. This stamp is part of the Sabores da Lusofonia commemorative series, featuring representative dishes from eight Lusophony countries.

I love the crisp postmark on this stamp – it’s a rarity that allows the image to shine through. Interestingly, sabor in my native Visayan-Hiligaynon language means “taste” or “flavour”, and also as a verb to mean “to taste”, both mirroring the stamp’s theme. A question though – if a postmark is applied to a stamp, do we call it a cancellation mark, instead?

Sunday Stamps: Kiwi fruit on Kiwi stamp

For this week’s Sunday Stamps with the theme countries in the Southern Hemisphere, I present a New Zealand stamp.

New Zealand’s iconic kiwi fruit took centre stage in 2006 when it adorned a stamp as part of a larger campaign to promote healthy eating among Kiwi children. The 5+ A Day The Colour Way initiative aimed to instill the importance of consuming at least five servings of colourful fruits and vegetables daily young New Zealanders.


The stamp, featuring fresh kiwi slices, was a playful and engaging way to capture the attention of children. New Zealand Post’s commitment to this initiative helped spread awareness about the benefits of healthy eating among the nation’s young people. By making healthy eating fun and accessible, the campaign hoped to empower Kiwi children to make informed choices about their diet. With initiatives like this, New Zealand is investing in the health and well-being of its future generations.

Here is the complete set:

Thursday Postcards Hunt: A Tale of Two Cathedrals

Lithuania, a Baltic gem, boasts a rich history woven into its stunning architecture. Nowhere is this more evident than in Vilnius, where two extraordinary cathedrals stand side by side, each with its own captivating story.

First, we have the St. Anne’s Church (below, left), a masterpiece of Gothic architecture. Constructed entirely from 33 different types of brick, its unique and stunning facade is a marvel captivating visitors for centuries. Its intricate details and delicate spires have earned it comparisons to a fairytale castle. Often described as “flamboyant Gothic”, its beauty was so renowned that Napoleon Bonaparte famously wished to transport it to France “in the palm of his hand”. Thankfully, for Lithuania, this ambitious plan remained unrealized. (His hands weren’t big enough. Just kidding.)

Directly behind St. Anne’s (right) stands the imposing St. Bernardine’s Church. A larger and more spacious structure, it transitioned from Gothic origins to embrace Renaissance and Baroque elements, reflecting the architectural tastes of the 17th and 18th centuries. Uniquely, this cathedral played a defensive role in Vilnius’ history. The cathedral’s scale was such that it was incorporated into the city’s 16th century defensive wall. It featured strategic shooting openings, transforming the sacred space into a formidable stronghold.

Sadly, the cathedral’s role as a religious sanctuary was tragically interrupted during the tumultuous Soviet rule when it was repurposed as a warehouse. However, with Lithuania’s independence in 1994, St. Bernardine’s was returned to the Franciscan order and restored to its former glory.

The stamps at the back of the postcard – on the right, commemorating the 400th anniversary of the Virgin Mary’s apparition in Šiluva, a significant religious site, and on the left, a part of a series with holidays and celebrations as theme, provide a glimpse into Lithuania’s heritage. And let’s not forget the creatively handwritten message itself – it adds a personal touch makes it even more special.

But why are these churches built next to each other? It’s been said that the close relationship between the two religious orders – the Brotherhood of St. Anne and the Bernardine Monks – is the sole reason to build their places of worship adjacent to each other and allowed them to share resources, community, and a stronger religious presence in the city. This is a widely accepted historical fact, often presented as general knowledge in historical and architectural texts about Vilnius.