Thursday Postcards Hunt: Towers of Enigmatic Smiles

This week, I’m taking you to Siem Reap, Cambodia. To a place where serenity and grandeur collide at the magnificent Bayon Temple, famous for its array of towers with smiling faces and “baroque” architecture in a Khmer context. While Angkor Wat is impressive and rightfully holds its place, Bayon remains a personal favourite for its unique charm.

The temple’s defining feature?  Two hundred sixteen (216) colossal, enigmatic faces carved onto 54 sandstone towers. These serene smiles seem to gaze eternally at the horizon, each tower boasting four expressions facing different directions. It’s hard to imagine the dedication and skill required to create such a wonder, especially with the available tools they had in those times.

These smiling faces follow you around the temple.
Conservationists say there are only about 173 intact carved images left.

On my last visit, I saw a tourist mirroring the contemplative mood. He was resting against the temple wall, just beneath a tower face. On one hand, he held an unlit cigar – a nod to the intrepid explorers of old who first marveled at these ruins. With the other, he fanned himself vigorously using his Indiana Jones hat against the relentless heat. Perhaps he, like me, was simply enjoying the structures, or pondering the mysteries of Bayon. Who were these enigmatic figures? What message did the ancient builders intend? These very questions add to the temples enduring allure.

Thursday Postcards Hunt: A Tale of Two Cathedrals

Lithuania, a Baltic gem, boasts a rich history woven into its stunning architecture. Nowhere is this more evident than in Vilnius, where two extraordinary cathedrals stand side by side, each with its own captivating story.

First, we have the St. Anne’s Church (below, left), a masterpiece of Gothic architecture. Constructed entirely from 33 different types of brick, its unique and stunning facade is a marvel captivating visitors for centuries. Its intricate details and delicate spires have earned it comparisons to a fairytale castle. Often described as “flamboyant Gothic”, its beauty was so renowned that Napoleon Bonaparte famously wished to transport it to France “in the palm of his hand”. Thankfully, for Lithuania, this ambitious plan remained unrealized. (His hands weren’t big enough. Just kidding.)

Directly behind St. Anne’s (right) stands the imposing St. Bernardine’s Church. A larger and more spacious structure, it transitioned from Gothic origins to embrace Renaissance and Baroque elements, reflecting the architectural tastes of the 17th and 18th centuries. Uniquely, this cathedral played a defensive role in Vilnius’ history. The cathedral’s scale was such that it was incorporated into the city’s 16th century defensive wall. It featured strategic shooting openings, transforming the sacred space into a formidable stronghold.

Sadly, the cathedral’s role as a religious sanctuary was tragically interrupted during the tumultuous Soviet rule when it was repurposed as a warehouse. However, with Lithuania’s independence in 1994, St. Bernardine’s was returned to the Franciscan order and restored to its former glory.

The stamps at the back of the postcard – on the right, commemorating the 400th anniversary of the Virgin Mary’s apparition in Šiluva, a significant religious site, and on the left, a part of a series with holidays and celebrations as theme, provide a glimpse into Lithuania’s heritage. And let’s not forget the creatively handwritten message itself – it adds a personal touch makes it even more special.

But why are these churches built next to each other? It’s been said that the close relationship between the two religious orders – the Brotherhood of St. Anne and the Bernardine Monks – is the sole reason to build their places of worship adjacent to each other and allowed them to share resources, community, and a stronger religious presence in the city. This is a widely accepted historical fact, often presented as general knowledge in historical and architectural texts about Vilnius.

Sunday Stamps: Gearing Up for the Games

This week on Sunday Stamps, with the highly anticipated 2024 Paris Olympics approaching, we set our sights on the Northern Hemisphere countries that are participating.

For my entry, here is one iconic stamp from Italy that celebrates athletic prowess and the thrill of competition. It came in a maxicard sent in 2009 by two Italian sisters via Postcrossing, showcasing a summer Olympic sport: cycling!

How cool is that postmark?

Cycling holds a special place in Italian sporting history. From the legendary Fausto Coppi to the modern-day heroes of the Giro d’Italia, Italy has consistently produced champions on two wheels.

This maxicard and matching stamp honour the most successful and popular cyclist of all time, the Italian Fausto Coppi, on his birthday. Both feature a dynamic image of Coppi out-of-the-saddle, powering his bicycle forward with a car following him closely. A majestic mountain range fills the background. This set beautifully captures the exhilaration and competitive spirit of this sport.

Coppi won his first Giro d’Italia in 1940 at age 20 – to this day the youngest ever to do so. He went on to win Giro d’Italia four more times, in 1947, 1949, 1952, and 1953. He also won Tour de France two times (1949 and 1952) as well as the World Championship in 1953. Professional cycling races like the Giro d’Italia and Tour de France were the pinnacle events for cyclists during Coppi’s era. The Olympics didn’t feature professional cycling competitions until 1968, well after Coppi’s retirement.

The stamp, issued before 2024 Paris Olympics, serve as a reminder of Italy’s longstanding tradition of participating and excelling in international sporting events. This year, Italian athletes across various disciplines will undoubtedly be vying for glory in Paris.